Project Art for Nature Welcomes New Artists for its Fifth Cycle!
Rebecca Dudley, Sandy Gillespie, Kim Gordon with writer Val Cunningham, Karen Kasel, Emily Gray Koehler, Wendy Lacska, Mary McCartney,
Mark Odegard, Christine Olson, Laura Pereira,
And welcomes back PAN4 artists:
Mary Coughlan, Marj Davis, Denise Friesen, Suzanne Lewis, Dodie Logue, Tom McGregor, Bonnie Ploger,
Teri Power, Robyn Beth Priestley, David Spohn,
Diane Wesman, Vera Ming Wong
Participating artists focus their work on an area of land that is need of protection. Smaller groups (pods) are formed within the larger group. Pod members visit each others sites and create works based on their pod-mates sites. A portion of all sales from Project Art for Nature shows are donated to an organization working to protect natural areas.
Inspiration for PAN came from the Copper River Delta exhibit, hosted
by Bell Museum of Natural History in 2000. A select international group
of artists gathered at Copper River to learn about and create artwork
extolling this vast ecosystem, devastated by the notorious Exxon Valdez
oil spill. Their artwork, exhibited throughout the world, alerted the
public to the beauty of this distant place, inspired us to protect it,
and raised funds to support the restoration of the natural and native
human communities of the Delta.
Recognizing that areas of spectacular natural beauty close to home are
also in need of preservation and restoration, a group of visual artists has
chosen to work locally and regionally. Individually chosen sites include
public and private lands and waters in Minnesota and Wisconsin. Through
deep observation and unique creative processes, PAN artists will explore
the native plant and animal communities within their sites. The artworks
they create will highlight natural gems of, or threats to, prairie,
forest, wetland or savannah. Whether protected, in need of maintenance
or restoration, or surviving through benign neglect, these areas provide
diminishing habitat for precious native flora and fauna. The exhibition
of PAN artwork will offer the public an intimate view of what we all
stand to lose, but hope to preserve.